Like the Count of Monte Cristo emerging triumphant from a bodybag flung out to sea, I am writing to you today from inside the cozy purple walls of Bostonia—having miraculously survived the dreaded Finals Week & thus officially graduated to Upperclassmanship. More importantly, I can now look forward to a summer of reading & sleeping & Photoshopping with young'uns—&, indeed, reviving my long-flagging Blogsmanship.
Though I have a bevy of entries fizzing at the tips of my fingers—from hardcore philosophical musings to gushing over certain actors' preeminent hotness—I feel like it's appropriate, as a smooth transition from this most brutal of sleepless paper-splosions, to post the playlist that buoyed me through this past week—which, in my humble estimation, is pretty clutch. Without further ado:
Going Down—Gerome Ragni (Hair, 1968 cast).
Breaking Glass (Live, Montréal, 7/12/83)—David Bowie.
Get It On At Le Disko (T. Rex vs. Shiny Toy Guns)—The Illuminoids.
The Hollows—WHY?.
Your Woman—Cats On Fire (White Town cover).
Buena—Morphine.
Itty Bitty Piggy—Nicki Minaj.
Less Than Zero—Elvis Costello.
Werewolf—Cat Power (Michael Hurley cover).
Soldier Girl—The Polyphonic Spree.
Diamond Crowned Queen—Raja.
Why Do You Love Me—Garbage.
Secretly Jealous—Coyote Shivers.
Melody Day—Caribou.
Hey—The Pixies.
Rolling in the Deep (Jamie XX remix, feat. Childish Gambino)—Adele.
Between the Bars (Live at Largo)—Elliott Smith.
Never Be Lonely—The Feeling.
Baby in Two—The Pernice Brothers.
Reptile—Lisa Germano.
I Know It's Gonna Happen Someday—Morrissey.
There's Not a Step We Can Take That Does Not Bring Us Closer—Jason Webley.
Showing posts with label The Polyphonic Spree. Show all posts
Showing posts with label The Polyphonic Spree. Show all posts
Monday, May 16, 2011
Monday, April 11, 2011
THF: Spoon For a (Pseudo-)Summer's Day.
It was over 70˚ today in Manhattan—in April—which of course was cause for much rejoicing & tank-top wearing & outdoor lounging—but which also, in turn, provoked some silly campus organization to set up a giant pair of speakers & bombard us innocent loungers with minutes upon minutes of Wiz Khalifa's braindeadery, Ke$ha's orgasming sneer-whine, etc. Partially to retroactively counter that assault—headphoneless as I was at the time—& partially just to share a song that deserves passing around, I present Spoon's cover of "Tear Me Down" from Jonathan Cameron Mitchell's rock musical tour de force, Hedwig & the Angry Inch:
Though the original will always remain near & dear to my heart—& though this album of covers, Wig in a Box, is packed to bursting with truly excellent renditions (including the Polyphonic Spree's take on the eponymous track, Frank Black doing "Sugar Daddy," even Stephen Colbert supplying the excised "Tear Me Down" interlude)—this particular track stands above the rest, especially when it comes to Warm Weather Music. Something about its Velvets-reminiscent simplicity, backed by that subtle swinging horn section, turns a once hard-rocking opening anthem into the perfect song for a summer strut—bare arms & sunglasses, laid back confidence, lips kinked sideways with an iced coffee straw & mind miles above, miles above.
Though the original will always remain near & dear to my heart—& though this album of covers, Wig in a Box, is packed to bursting with truly excellent renditions (including the Polyphonic Spree's take on the eponymous track, Frank Black doing "Sugar Daddy," even Stephen Colbert supplying the excised "Tear Me Down" interlude)—this particular track stands above the rest, especially when it comes to Warm Weather Music. Something about its Velvets-reminiscent simplicity, backed by that subtle swinging horn section, turns a once hard-rocking opening anthem into the perfect song for a summer strut—bare arms & sunglasses, laid back confidence, lips kinked sideways with an iced coffee straw & mind miles above, miles above.
Subscribe to:
Posts (Atom)
